BENT LYRICS – KYLE RICHH

The latest song “BENT” features vocals from American artists Kyle Richh, Jenn Carter, TaTa, and MCVERTT. According to lyrics website LyricsMoj.com, Kyle Richh composed the music and penned the lyrics. 

The site presents the full text for the growing track, while welcoming feedback to enhance accuracy. Readers can explore its details and other new English songs gaining popularity across the U.S. 

Song Credits 

Song TitleBENT
Featured ArtistsKyle Richh, Jenn Carter, TaTa, MCVERTT
ComposerKyle Richh
LyricistKyle Richh
VocalsKyle Richh, Jenn Carter, TaTa, MCVERTT

BENT LYRICS

[Intro: Kyle Richh]

(MC, make another hit)

Bitch, when is we fuckin’ again?

Graah

(Project-Project X-X-X)

Graah

Graah

Bitch, when is we fuckin’ again?

Graah

[Verse 1: Kyle Richh]

Damn, I gotta relax

New opp, he got put in my gas

Like, it’s a body if I kick it to Krash

Fuck, I think the D’s on my—

Switch-Switch it in sport, if the D’s on my ass

Body shot like Kim Kardash’

These niggas fast, they run like Flash

Pass it to Steve, he gon’ ‘oot it like Nash

On his body, don’t let him get low

Yo Touch, this shit a float

Too many deads, I don’t know what to roll

Keep a G, ’cause I don’t wanna go

Pin it down, thumb tack

Tried to get low, told bro come back (come back)

They don’t shoot but they all run track

Run up on me, bet he won’t run back

Summary 

In the first verse, Kyle Richh details the adrenaline and danger of street life. He references needing to relax after facing new threats (“opp”). Intense situations leave him feeling like one mistake could cost him his life (“a body if I kick it to Krash”). 

Richh alludes to carrying firearms for protection (“D’s on my—”), changing gears quickly if threatened (“Switch-Switch it in sport”). The verse paints a picture of living beneath a shadow of violence, where associates can turn treacherous (“they run like Flash”), and enemies are constantly watching for weaknesses (“don’t let him get low”). 

Richh maintains his guard up at all times (“Keep a G”) and won’t give chase if confronted (“bet he won’t run back”), reflecting the high-stakes tension of his circumstances.

[Chorus: Kyle Richh & Jenn Carter]

Hennessy got me bent, bitch, when is we fuckin’ again?

Likе, if the pussy is good I’ma spend

But fuck it, could kick it to Jenn

Shе a thootie, can tell by the walk (Tell by the walk)

Sip Wock’, can’t even talk (Can’t even talk)I can’t help it, I stay in the stores (What? Damn)

Bitch-Bitch, I be totin’ in Christian Dior (It’s Carter, dickhead)

Summary 

The chorus finds Kyle Richh intoxicated and horny, asking his lover when they’ll have sex again. Richh expresses how good intimacy can make him loosen his otherwise tight grip on his money, willing to “spend” if intimacy is satisfying. 

However, he also remains non-committal, saying he might redirect his attention to his friend Jenn instead. Richh evaluates another woman, describing her as promiscuous (“thootie”) based on her provocative walk. 

In his inebriated state from sipping codeine (“Wock”), Richh can barely speak coherent words. He vents his impulse to continually shop as a distraction from inner turmoil, brandishing his fashionable attire from Christian Dior as a symbol of status. 

Overall, the chorus depicts Richh as ruled by his vices yet struggling to find real fulfillment, sampling fleeting physical pleasures amid the psychological toll of his criminal ventures.

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[Verse 2: Jenn Carter]

Like what, Jah pass the stick (What?)

Fuck, D’s on my hip (D’s on my hip)

Call up SV, tell him speed up the whip (Speed up the whip)

It’s okay, they can’t see through the tint (See through the tint)

Yo, Star, why the fuck is he eyein’? (Like, damn-damn)

P-PSTD from the sound of the sirens (Graah, graah)

Hmph, think he on timin’? (Like, what?)

Bullets is spreadin’ like it was a virus (It was a virus)

Summary 

In the second verse, Jenn Carter continues the theme of street life under threat. She asks for someone named Jah to pass the marijuana blunt (“stick”). Like Richh, Carter is armed for protection (“D’s on my hip”). 

She insists her driver speed up to evade detection, protected only by vehicle tinting (“can’t see through the tint”). Carter questions why someone she refers to as Star is being watched suspiciously (“why the fuck is he eyein’?”). 

She seems haunted by trauma, manifesting post-traumatic stress symptoms from past police encounters (“P-PSTD from the sirens”). Carter doubts the intentions of another “he,” wondering if he’s deliberately drawing attention to her crew (“think he on timin’?”). 

The verse paints a scene of living furtively under surveillance yet surrounded by potential threats, where a single incautious action could have deadly consequences like “bullets spreadin’ like a virus.”

[Chorus: Kyle Richh & Jenn Carter]

Hennessy got me bent, bitch, when is we fuckin’ again?

Like, if the pussy is good I’ma spend

But fuck it, could kick it to Jenn

She a thootie, can tell by the walk (Tell by the walk)

Sip Wock’, can’t even talk (Can’t even talk)

I can’t help it, I stay in the stores (What? Damn)

Bitch, I be totin’ in Christian Dior (It’s Carter, dickhead)

Summary 

The chorus finds Kyle Richh and Jenn Carter reflecting on the intoxicating and tempting distractions of sex, drugs and money from their criminal lifestyle. Richh asks his female companion when they’ll be intimate again, saying good sex will make him loosen his grip on cash, at least temporarily. 

However, his commitments remain surface level, implying he may turn to Jenn instead on a whim. Both artists express how substances like Hennessy whiskey and “Wock” hard drug sips control their impulses and speech. 

Carter plays up her seductive image as a “thootie” to lure men, evident in her walk. Meanwhile, Richh stays busy shopping to feel successful, name-dropping his expensive clothing brand. 

Overall, the chorus portrays them drifting amid temporary physical pleasures to numb from street stresses, unable to form truly meaningful connections or break cycles of unhealthy coping strategies.

[Verse 3: TaTa]

Like, I just met her she told me she love me (Love me)

Like, she just want money and dick (On bro)

We in the spot told her give me a kiss

I could taste all the Casamigos on her lips (Get back, bitch)

And if she a ten, I let her hold my knocker (Knocker)

Ni-Nine shots in this gun, Ibaka (Ibaka)

Shh, Shh, don’t know who shot ’em (Shot ’em)

Tryna shoot on this court I bet Mdotty block ’em (Bitch)

I’m in the spot with the Crippys (With Crippys)

Like, I’m in the spot and I’m grippy (Grippy)

Like, please don’t eye me in this party

Always feel safe when I know Star be with me

Like, off the Wocky, I’m drippy

Like, off the D’usse, l’m litty (Litty, bitch)

I’m tryna party with all the tooteres

I got my face like all up in her titties, damn

Summary 

In the third verse, TaTa details his interactions with women at a party. He expresses skepticism towards one girl who quickly professed her love, believing she only wants him for money and physical pleasure. 

TaTa tastes the alcohol on her lips after a kiss, identifying it as Casamigos tequila. He brags that if a woman is highly attractive, a “ten,” he will showcase his firearm (“knocker”). TaTa creates an ominous scene, alluding to shootings where the culprit remains unknown. 

He attends the party accompanied by gang affiliates known as Crippys. Though armed (“grippy”), TaTa prefers to enjoy himself carefree as long as his associate Star is present for security. 

He intends to unwind fully through women (“titties”), substances (“Wocky” and “D’usse”) and good company. Overall, the verse portrays TaTa indulging carnally yet guardedly in socializing within his criminal network.

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[Chorus: Kyle Richh & Jenn Carter]

Hennessy got me bent, bitch, when is we fuckin’ again?

Like, if the pussy is good I’ma spend

But fuck it, could kick it to Jenn

She a thootie, can tell by the walk (Tell by the walk)

Sip Wock’, can’t even talk (Can’t even talk)

I can’t help it, I stay in the stores (What? Damn)

Bitch-Bitch, I be totin’ in Christian Dior (It’s Carter, dickhead)

Summary 

In the chorus, Kyle Richh expresses his intoxicated desires, asking a woman when they will have sex again. He claims hard liquor like Hennessy has his mind clouded with lust. Richh states if past intimacy was pleasurable, he’s willing to spend money on her again in the moment. 

However, his commitment remains nonchalant – he could just as easily turn to his friend Jenn. Meanwhile Jenn Carter presents herself as promiscuous and available, evident in her provocative gait according to Richh. 

Their dialog captures the blurred and fickle nature of their relationship, as both artists are inebriated on “Wock” syrup. They use shopping and flashy brands like Christian Dior as a means to soothe inner turmoil from lives immersed in crime. 

Overall, the chorus portrays how substance abuse and unstable lifestyles leave Richh and Carter making poor decisions guided by impulse rather than reason or care for one another.

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