BNXN ft Kizz Daniel & Seyi Vibez – GWAGWALADA Lyrics

This article analyzes the lyrics of the song “Gwagwalada” performed by artists BNXN, Kizz Daniel, and Seyi Vibez. The song was produced by Sarz and released on March 7, 2023. 

Sections of the lyrics are presented, along with short summaries of each part’s meaning and themes. References are made to community, spirituality, relationships, and finding purpose or relaxation within the place of Gwagwalada. 

Through breaking down the various lyrical segments, overarching messages of togetherness, personal growth, and well-being emerge. This analysis aims to provide insight into the concepts and story explored through the artists’ lyrics.

Song Credits 

Song Title	Gwagwalada
Artist	BNXN
Producer	Sarz
Release Date	March 7, 2023
Writers	BNXN, Seyi Vibez, Kizz Daniel & Sarz

GWAGWALADA Lyrics

Summary 

These lyrics seem to be celebrating community and togetherness. There are references to different groups gathering and singing together, including “Beni kolobi,” “Kuna kolobi,” and “Man in color nation.” 

The repetition of phrases like “Beni kolobi, kuna ni mo bi” and “Jaani su na ji shun” suggests these could be refrains that different groups sing in response to each other. The word “Gwagwalada” is repeated as well, implying it represents an important place, people or idea – perhaps symbolizing the unity of these diverse groups. 

Overall, though the language is unclear without more context, the verses appear aimed at bringing various peoples or tribes together in harmony, as indicated by the references to different singers and colours coming together as one through a shared song.

Summary 

These lyrics describe a journey from Abuja to the place of Gwagwalada. Upon arriving, the speaker references trying to help or fix some problems or difficulties for others, but recognizing it is beyond their power or control to force the outcome. 

They acknowledge having to accept the situation for what it is. As a result, the speaker decides to relax and enjoy a shawarma, or food traditionally associated with the region. 

The repetition of references to Gwagwalada and comments about trying but failing to influence others’ affairs reinforces the idea of traveling to this location and coming to terms with your own limitations when it comes to intervening in situations. 

Overall the verses convey a sense of arriving somewhere, realizing one’s limits, and choosing to unwind with local fare.

Summary 

The lyrics mention various people, places and concepts that seem to be related to religion or spirituality. References are made to “Mio foh, Molana” who could be religious figures, and “Asgard” which relates to Norse mythology. The letters “Alif, Lam, Mim” feature in the Quran and Arabic language. 

Mentions of “Iya Charlie” and “Wahabi” indicate different Muslim movements or leaders. Overall while the exact meaning is unclear without context of the language and culture, the verses seem to explore spiritual themes through allusions to Muslim traditions and Norse mythology. 

Phrases like “On God” and “O je ma sh’amin” further reinforce a focus on religion or faith. Bringing together these various religious and mythological references implies a contemplation of beliefs and higher powers.

Summary 

The lyrics seem to reference various social interactions and experiences. The singer says they will “call the manager” about potentially dropping or releasing a new song the next day. 

There is a reference to loving someone despite it being considered a “crime”, hinting at disapproval from others. The person is told to not waste the singer’s time if that is the case. Musical mentions include “Dance Makossa” and “Kupe”, potentially genres or artists. 

Being in Gwagwalada is repeated again. Overall the verses convey the singer going about their business as a musician like planning song releases, dealing with difficult relationships, and enjoyment of music, all while based out of Gwagwalada which appears prominently as a place of significance either geographically or culturally.

Summary 

These lyrics describe a journey from Abuja to the place of Gwagwalada. Upon arriving, the singer says they tried to help or resolve some people’s problems or difficulties, referred to as “awon ota”. 

However, they realize they cannot force an outcome if it is beyond their means or control. Unable to influence the situation further, the singer chooses to unwind by relaxing and eating shawarma, suggesting accepting their limitations. 

The repetition of references to traveling from Abuja to Gwagwalada, attempting but failing to affect others’ challenges, and finally relaxing there, conveys a sense of arriving in Gwagwalada after trying and failing to intervene in affairs beyond one’s power. 

Overall the verses capture arriving in this location, recognizing one’s restricted ability to impact others, and choosing to decompress with local food as a result.

Summary 

The lyrics seem to describe the singer’s outlook and interactions. They indicate looking ahead to “the next one” after a previous experience. 

Requests are made for “ginger” and “power” to face new opportunities. There are references to being surprised or potentially harmed by someone previously. The singer invites this person to “try” them but suggests it’s not an issue. 

Repeats involve looking to the future and asking for attributes like boldness and strength. Overall, the verses convey a message of moving forward from past situations with optimism and confidence, ready to embrace new experiences with resilience and courage. 

While specifics are unclear, the tone suggests reflecting on lessons learned to better navigate future relationships and challenges.

Summary 

The lyrics describe a journey from Abuja to the town of Gwagwalada. Upon arriving, the speaker indicates they tried to assist or address some problems or difficulties others were facing, referred to as “awon ota.” 

However, they acknowledge being unable to compel an outcome if it was beyond their means or control. Accepting the limitations of their role in effectively solving the issues, the individual chooses to unwind by enjoying a shawarma, a local street food. 

The repetition of traveling from Abuja to Gwagwalada, making an effort to help others facing challenges, and ultimately relaxing in the town, conveys a sense of arriving at a supportive community after providing assistance where able. 

While more context could offer greater insight, the overall message appears to be one of helping others when possible while also maintaining self-care.

Summary 

The lyrics seem to talk about different groups of people coming together. It mentions “Beni kolobi” and “Kuna kolobi” which could be names of people or clans. “Jaani su na ji shun” may refer to these groups singing or communicating with each other. 

“Man in color nation” indicates diversity, with people of various backgrounds. The repetition of phrases like “Beni kolobi” and references to singing/talking to each other suggests the verses promote unity between different individuals or communities. 

It portrays a message of inclusiveness, with people from varied backgrounds joining together in shared expression through song. In general, the lyrics aim to bring more people of all kinds into collaboration and fellowship.

Conclusion 

In conclusion, the song’s diverse verses consistently showcase community, spirituality, and growth. The lyrics celebrate ethnic unity, explore faith, depict an artist’s path, and envision hope, emphasizing fellowship, thought, and finding intention or calm in Gwagwalada. 

Analyses uncover repeating themes of joining people in commonality, pondering perspectives and positions, and reaching contentment through connections and acknowledging the way things are—overall portraying a priority of camaraderie, religion and adaptable wellness.